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Tracy Letts
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Adult themes and language.
Please
note special curtain time. |
AUGUST:
OSAGE COUNTY
by
Tracy Letts
September
9-26, 2010
Thurs. - Fri. 7:30 pm
Sat. 1:30 pm and 7:30 pm
Sun. 6 pm
Gala
Opening: Thurs., September 9
DAT- Downtown Employees
Night and Theatre:
Fri., September 10 @ 6PM (buffet 5PM)
Save
money: buy a season package!
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Home
on the Range?
“Tracy Letts’ fiercely funny, turbo-charged
tragicomedy is, flat-out, no asterisks and without
qualifications, the most exciting new American play
Broadway has seen in years.” NY Times
“Ranks with the best American drama
of the past decade.” USA
Today
“An astonishing, incredibly funny
creation, introducing a major playwright to Broadway.” AP
Award-winning
August: Osage County is a glorious
meditation on the American family and by extension,
the condition
America’s condition is in.
Tracy Letts, playwright
and long-time Steppenwolf Theatre Company member,
channels the DNA of the greats – think Williams,
Shepard and O’Neill – in his story of
a contemporary Oklahoma family navigating the sudden
disappearance
of its poet father and the ascendancy of its pharmaceutically
powered matriarch as she vexingly prods her tribe
forward.
An extended family and other community members
gather in Pawhuska, Oklahoma to come to terms with
the disappearance of the family patriarch, Beverly,
a poet and professor at Tulsa University. Violet
Weston, his wife, struggles with her sister, three
daughters and their husbands, as well as her own
deep issues and complex relationship with her husband.
When Beverly’s body is found, the guilt, denial
and animosity between family members rises to a fever
pitch as new revelations about each surfaces. The
verbal and physical rockets’ red glare and
bombs bursting in air reach a spectacular crescendo
as the family dynamic explodes, leaving Violet and
Johnna, a Native American grad student and housekeeper
of Berverly’s, to remark on how the world ends.
Originally
produced by The Steppenwolf Theatre Company, the
play has seen highly successful runs
on Broadway
and London’s West End. FUSION's is the first
independent production permitted since
the national tour completed earlier this year. Letts’ screenplay
adaptation of the play is currently under development
by The
Weinstein Company.
Awards
-
2007
Jeff Award (Chicago) for Best New Work - Play
-
2007 Jeff Award (Chicago) for
Best Production - Play
-
2008 Drama Desk Award for
Best New Play
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2008 Drama League Award for
Distinguished Production of a Play
-
2008 New York Drama Critics'
Circle Award for Best Play
-
2008 Outer Critics Circle
Award for Outstanding New
Broadway Play
-
2008 Pulitzer Prize for Drama
-
2008 Tony Award for Best Play
FUSION brings our regional premiere of August:
Osage County to The Cell stage under
the direction of Gil Lazier (Parlour
Song, How
the Other Half Loves) with
a huge, stellar cast of the region's finest
professional actors. This will be the "don't miss" theatrical event of
the season: don't be left out in the cold!
August: Osage County continues
through September 26th with Thursday and Friday
performances
at 7:30 p.m., two performances on Saturdays at
1:30 p.m. and 7:30 p.m., and Sundays at 6:00 p.m.
Please note special start times. For tickets and
information call 766-9412
or
click
here:
Single tickets are $30 for general admission, $25
for students and seniors. Thursday performances (excluding
opening night) feature a $10.00 student rush (with
valid I.D.) and $20 actor rush (with professional
resume.) The first Saturday matinee, September 12,
is a pay-what-you-wish performance. Group discounts
are
also available.
Substantial discounts are available when
you purchase a 
Free parking is plentiful in our lot just north
of the theatre. The Cell is located at 700 1st St.
N.W., just west of
Broadway
and south
of Lomas.

Christoper Isherwood, New York
Times:
"Mr. Letts, hitherto best
known as the author of the crafty, blood-soaked
genre pieces “Killer Joe” and “Bug,” somehow
finds fresh sources of insight, humor and anguish
in seemingly worn-to-the-stump material: the
dysfunctional dynamics of the American family.
In August: Osage County can be
heard echoes of other classic dramas about
the strangling grip of blood ties — from
Eugene O’Neill’s “Long Day’s
Journey Into Night” to Sam Shepard’s “Buried
Child” — but Mr. Letts infuses his
dark drama with potent energies derived from
two more populist forms of American entertainment.
The play has the zip and zingy humor of classic
television situation comedy and the absorbing
narrative propulsion of a juicy soap opera,
too."
Misha Berson, Seattle Times:
"[Letts'] superb comic instincts also get a workout in August:
Osage
County, which
is peppered with hilarious, venomous (and unprintable) insults and retorts.
But Letts digs deeper here, into his own Oklahoma roots, to portray a middle-class
family of academics. And he reaches higher, to contextualize their suffering
in an Old West of bitter disillusionment, bequeathed from a hardened, bitter "greatest" generation
to its conflicted, scattered offspring.”
"August:
Osage County" Cast
Paul Blott
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PAUL
BLOTT* Originally from Los Angeles
where he performed a variety of Shakespearean
roles at Will Geer’s Theatricum Botanicum,
Paul is a veteran of New Mexico theatre
having appeared in many productions in
Santa Fe and Albuquerque. He appeared with
FUSION last season in First Love, The
Mandrake, and The Seven:
Hidden Agendas.
Previously, he played leading roles in
FUSION's productions
of Sarah
Ruhl's eurydice and in Death
of a Salesman. He
also starred in the Jury Award-winning "Gun
Metal Blue Bar" and "Laying Off" in The
Seven: That One Thing. He also
performed in "Laying Off" at
the Samuel French OOB in NYC. Previously,
he was “Big Daddy” in Cat
on a Hot Tin Roof. Paul’s
film work includes Lightening Jack, Lazarus
Man, Last Stand at Saber
River, Bordertown, Wildfire, Beer
for My Horses, Run for
Her Life and the new USA series In
Plain Sight, and The
Resident with Hilary Swank. When not acting
Paul and his wife Susie run their own herb
business,
Aroma Fresca.
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Joanne Camp
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JOANNE
CAMP* most recently played Ilona
in the independent feature film,
Warrior Woman with Julie
Reichert directing. She returns
to FUSION from her inaugural season last
year, when she played
in First Love and The
Mandrake. Ms Camp recently moved
from NYC where her credits included, Broadway: Dinner
at Eight, The
Last Night of Ballyhoo, The
Sisters Rosensweig, The
Heidi Chronicles ( Drama
Desk & Tony Award nominations),
and Coastal Disturbances.
Off-Broadway: 25 years as a member of The
Pearl Theatre Company where she performed
in over 50 productions playing roles ranging
from "Atossa" in Aeschylus’ Persians,
to "Beatrice" in Shakespeare’s Much
Ado About Nothing to "Millamant" in
Congreve’s The Way of the
World to "Ranyevskaya" in
Chekhov’s The Cherry Orchard to "Miss
Prism" in The Importance of
Being Ernest to "Albertine
Prine" in Lillian Hellman’s Toys
in the Attic and her work was
recognized with an Obie
Award for Continued Excellence and
a Joseph A Callaway Award for Classical
Performance; Geniuses ( Clarence
Derwent & Theatre World Awards), Painting
Churches, As It Is In
Heaven, and Lips Together,
Teeth Apart. Film/TV: Private
Parts, Law & Order, Damages, The
Luckiest Man in the World, and Canterbury’s
Law. Joanne has been a proud member
of the Actors Equity Association since
1978.
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Bruce Holmes
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BRUCE
HOLMES* most recently appeared
with FUSION in Jen Silverman's award-winning The
Education of Macoloco as part
of The Seven: New Works,
which recently won the Samuel French Off
Broadway New Works Festival. Previously,
he was "Ned" in Parlour
Song and "Teddy" in The
Homecoming. He made his debut
here as "Christy" in Martin McDonaugh's The
Lieutenant of Inishmore. In Seattle,
he worked at A.C.T., Center Stage, AHA!,
N.W. Shakespeare Ensemble, and The Empty
Space Theatre. Favorite roles at The Space
include “Pat” in The
True History of Coca-Cola in Mexico, “Jess” in The
Complete Wrks of Wilm Shakespeare Abridged, “Horace” in The
School for Wives, “Bertozzo” in Accidental
Death of an Anarchist and “Sgt.
Match” in What the Butler
Saw. In Idaho, Bruce performed
with The Idaho Repertory Theatre as “Leon” in Voice
of the Prairie, “Max” in Lend
Me a Tenor, “Trevor” in Bedroom
Farce, and as “Andrew” in I
Hate Hamlet. In Washington D.C.,
he appeared as a longshoreman in Arena
Stage’s Anna Christie,
and “Pee-Wee” in Orpheus
Descending. At the Washington
Shakespeare Theatre, he appeared as “Sampson” in Romeo & Juliet.
In Virginia, Bruce appeared as “The
Narrator” in For the Pleasure
of Seeing Her Again at The Metro
Stage Theatre. He received his B.F.A. from
the University of New Mexico and his M.F.A.
from the Professional Actor’s Training
Program at the University of Washington.
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Ross Kelly
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ROSS
KELLY* is a local actor, writer
and director with many memorable roles
to his credit at FUSION. Most recently
he was in the one-man show Vincent,
performed at The Albuquerque Museum. Last
season he was “Bob Phillips” in How
the Other Half Loves and ”Ligurio” in The
Mandrake. Other FUSION credits
include: “Dale” in Parlour
Song, “Biff” in Death
of a Salesman and the “Nasty
Interesting Man” in eurydice and “Macoloco” in
NYC’s Samuel French OOB Festival
winner The Education of Macoloco.
Previously, he starred in The Lieutenant
of Inishmore and the acclaimed
production of Doubt. Notable
performances include Hip-Hop Prophets,
an official selection of Washinton, D.C.
Hip-Hop Theater Festival in 2003; The
Amy Biehl Story, in which he appeared
opposite Academy Award winner Alan Arkin.
He can also be seen in the films Save
Me with Judith Light, Trade staring
Kevin Kline, and on television in Crash,
as well as a recurring role in the ABC
Family television show Wildfire.
He recently completed filming on Love’n’ Dancing with
Betty White and The War Boys with
Peter Gallagher. Ross is a proud father
and a graduate of UNM.
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Jacqueline Reid
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JACQUELINE
REID* is a founding member of
FUSION. Most recently at FUSION, she was “Dorothea” in A
Lovely Sunday for Creve Coeur by
Tennessee Williams, “ Theresa” in
Alan Ayckbourne’s How the
Other Half Loves, “Ruth” in
Pinter’s The Homecoming and “Joy” in
Jez Butterworth’s Parlour
Song. She directed last season’s The
Mandrake, as well as Death
of a Salesman, Doubt, The
Lieutenant of Inishmore, the world
premiere of Mad Hattr,
and FUSION's children's tours of The
Invention and Seven at
a Swat. Past acting credits at
FUSION include The Seven: That
One Thing, "Beth" in Orange
Flower Water, “Catherine” in Suddenly
Last Summer, “Amanda” in Private
Lives, the title role in Hedda
Gabler, “Laura” in The
Glass Menagerie, “Stella” in A
Streetcar Named Desire, “Kate” in The
Taming of the Shrew, “Zelda
Fitzgerald” in Bye, Bye Blackbird, “Anna” in Closer,
and “Maggie” in Cat
on a Hot Tin Roof. Regional lead
roles include Romeo and Juliet, Agnes
of God, and Crimes of
the Heart. Film roles include Heat
Lightning for which she received
Best Actress at the Bend, Oregon Film Festival,
the Italian series Doc West, In
Plain Sight, Unsolved
Mysteries, and True Confessions with
Adam Arkin.She is a BFA graduate of The
North Carolina School of the Arts.
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Laurie Thomas
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LAURIE
THOMAS* is a co-founder and Artistic
Associate of FUSION Theatre Company. She
is a director, actor, writer, and educator.
She’s portrayed a multitude of roles
as varied as Lizzie Borden and Henry V
at theatres including California Shakespeare
Theatre, Book-It Repertory Theatre, On
the Boards, A Contemporary Theatre and
Southwest Repertory Theatre. She is a member
of the Performing Arts faculty at Albuquerque
Academy. She garnered high praise last
summer in the principal role of Jen Silverman’s The
Education of Macoloco while helping
win Samual French's Off Broadway New Plays
Festival. FUSION audiences saw her last
season in How the Other Half Loves and A
Lovely Sunday for Creve Coeur and
she directed Vincent and First
Love. Other notable performances
have included "Violet Venable," "Amanda," and "Blanche" in
their respective plays in FUSION's productions
of Tennessee Williams' works. FUSION produced
her most recent full-length work, Mad
Hattr, in 2007. Her next work, Death
in Seattle, is due in 2011.
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Gregory Wagrowski
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GREGORY WAGROWSKI* has
been working professionally as an actor and
director for over thirty years. He served
as the Artistic Director for both the Smokebrush
Theater and The Colorado Actors Theater.
He has performed a variety of roles in theaters
all around the country including the Public
Theater in New York, the St. Louis Repertory
Company, the Magic Theater in San Francisco,
the Mark Taper Forum, and the Los Angeles
Theater Center where he was an Artistic Associate
for seven years. He was a founding member
of two theater companies, The Old World Theater
Company in Chicago and The Noe Street Theater
in San Francisco. He has also worked extensively
in both film and television where his most
recent credits include, Mad Men, The
Unit, Criminal Minds,
and ER. Mr. Wagrowski is
also a sometime writer, poet, and educator.
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Nicole Gramlich
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NICOLE
GRAMLICH has been involved in
acting since the age of six when she
narrated her first school play. Some of
her theater credits include The
Big Come and Parts
of Parts and Stitches with the
Words Afire! festival, “Mattie” in
The Person
I Onced Was with Umbrella Hat Productions,
and The Big Friendly Giant directed
by Becca Holmes. She can also be seen as “Officer
Slavitt” during the second
season of In Plain Sight on USA. She has
a degree in creative writing from the
University of New Mexico, which has helped
her to create several short films.
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Bridget Kelly
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BRIDGET
KELLY† was most recently seen in
FUSION’s New Works 4 New
Mexico reading
series Visiting Bertha and
Jen Silverman’s
Hanging Man and East
of the Desert West of the Dead.
Albuquerque performances include Antigone, Passenger
on the Ship of Fools and Goodnight
Desdemona, Good Morning Juliet at
The Vortex and
The Odyssey at Mother
Road. Recent TV and film credits include Wild
Justice, Dog
Day, Glacier and Girl
Group Rumble. She
is helping to produce the independent
feature film Los Wildcats del Norte (shooting
this fall). Favorite roles include “Kaiiulani” at
the Edinburgh Fringe and Los Angeles Cultural
Arts Festivals, “Chrissy” in
Dancing at Lughnasa and “Jacqueline
Kennedy” in Jackie: An American
Life. Bridget is a graduate of Chicago’s
Goodman School of Drama and The
University of Hawaii.
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Lauren Myers
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LAUREN
MYERS† was last seen at
The Cell in For & Against and In
Retrospect for FUSION’s
2006 and 2008 The Seven: New Works
Festival.
She holds a BFA in Theatre
Performance from Chapman University in
Orange, California. Credits there
include “Liz Morden” in Our
Country’s Good (for which she received
an Irene
Ryan nomination), “Whitney” in
A Piece of My Heart, “Witch/Lenox” in
Macbeth, “
Danielle” in Chain Mail, and “Sarah
Nancy” in Blind Date. Regional credits
include “
Jaimie Brown” in The Reincarnation
of Jaimie Brown at UC Irvine and “Jafar” in
Aladdin, Jr. with Summer Repertory Theatre.
Locally, Lauren was last seen as “
Holly” in Duke City Repertory Theatre’s
production of Trust, and has performed
with Mother Road Theatre Company, Solarity,
ALT, Adobe Theatre, and Ka-Hootz!.
She is a local director and has also worked
on various award-winning film projects
throughout New
Mexico, including Ilegales, L’Americano, Random
Natural Occurrence, Missing
You, A
Kinder Garden, Screwed, The Lazarus Man, and The
Troublemakers.
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Wendy Scott
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WENDY
SCOTT† played the role
of Olga, the oldest sister, in Three
Sisters this spring at
the Vortex. She is delighted to be back
at FUSION and playing one of three
sisters in August: Osage County. Wendy
is a BFA graduate of the UNM Theatre
Arts Program. She also completed her
studies as a pastry chef at the Seattle
Culinary Academy. She has performed about
town with Sol Arts, Mother Road,
ALT, UNM Words Afire, and Ka-HOOTZ. Previous
shows at FUSION include The
Seven: Something Left Unsaid (Homesick), “Letta” in
Death of a Salesman, “Mary
Detweiler” in How the Other
Half Loves, and The
Seven: Hidden Agendas (Other
Voices). This show is dedicated to her
late grandfather and poet, Winfield
Townley Scott.
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Bill Sterchi
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BILL
STERCHI† is glad to again
be working with FUSION, having performed
in their
inaugural production of Closer along with
You Can’t Take it With You, Who’s
Afraid
of Virginia Woolf, Hedda
Gabler and The
Lieutenant of Inishmore. He’s also
enjoyed
working with many great theatre talents
at Mother Road Theatre Co., Tricklock,
The Vortex, ALT, and UNM. A television
and film actor as well, he‘s earned
three
Best Actor awards at the Duke City Shootout
film festivals including one for this
year’s performance in Pascal’s
Bullet which also won the Best Picture
award. Bill
has had many featured roles in recent film
and TV productions shot in New
Mexico including Crazy Heart, The
Men Who Stare at Goats, Sunshine
Cleaning, In
Plain Sight and Breaking
Bad and is the
current Screen Actors Guild New Mexico
Branch President. It is an honor and a
pleasure for Bill to back at The Cell.
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Aaron Worley
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AARON
WORLEY is a local actor, director
and cab driver. August: Osage County marks
his third full-length play for FUSION,
along with Mad Hattr and The
Lieutenant of Inishmore. He has
also acted or directed each year for The
Seven.
This is his third bout with a Tracy Letts
script, having played “Chris” in Killer
Joe and
directed the paranoid thriller Bug (both
at The Vortex Theatre). Over the last year
and a half, he portrayed the
iconic roles of Jesse James, Oedipus & Bill
Clinton. This summer, he acted in his first
feature film as a lead in the horror
flick entitled Rotgut by
505 Films and directed the Woody Allen comedy God at
The Auxiliary Dog Theatre. He keeps his
heart and soul with his two leading
ladies: his wife Maria and two-year-old
daughter Donna Rose. |
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* member
Actors Equity Association, the union
of professional actors and stage
managers in the United States
† Equity Membership Candidate |
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bet! I'd like to be reminded
of coming events! |
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Gil Lazier
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